by John King

I am primarily a reader of literary fiction. It is where the joys and the fun of reading tend to be for me. Like many literary readers, I have a deep, complicated affection for hard-boiled detective fiction, à la Dashiel Hammett and Raymond Chandler. The blunt brutality, bold psychology, and flourishes of purple style are compressed into a lovely textual cocktail by the form of the mystery, the plot that is itself a chase after a question mark. Characterization is both impressionistic and elusive—precisely as elusive as the mystery, usually.

One of the hallmarks of contemporary detective fiction is the shortness of chapters, which makes the form even more compressed. This would seem to deepen the challenge of the genre even more than classic hard-boiled detective fiction—or highlight the genre author’s flaws. Read the rest of this entry »